Reformation, Journal of Medieval and Early Modern Studies,Įarly Modern Literary Studies, Elizabethan Her articles have appeared in Digital Humanities Quarterly, Renaissance and Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If She has prepared a documentary edition of John Stow’s A With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media ( Routledge). Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Modern Studies and the Digital Turn (Iter, 2016), Teaching Early ModernĮnglish Literature from the Archives (MLA, 2015), Placing Names:Įnriching and Integrating Gazetteers (Indiana, 2016), Making Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early In Early Modern England (Ashgate, 2007), New Directions in the Othello (Modern Language Association, 2005), Performing Maternity Studies (Arden/Thomson Learning, 2005), Approaches to Teaching The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Modern Society (Brill, 2004), Shakespeare, Language and the Stage, Her bookĬhapters have appeared (or will appear) in Institutional Culture in Early Theatre, Shakespeare Bulletin: A Journal of PerformanceĬriticism, and The Silver Society Journal. With a memoriall of those famouser acts of charity, London contayning the originall, increase, moderne estate, and government of thatĬity, methodically set downe. As also all the ancient and moderne monuments erected in the churches, Which for publicke and pious vses have beene bestowed by many worshipfull citizensīenefactors. Begunne first by the paines and industry of Iohn Stovv, in the Not onely of those two famous cities, London and Westminster, but (now newly added)įoure miles compasse. Replace Mac defaults and discover new gems in one suite.īy the simple virtue of browsing the web over the years, nearly all of us have seen a variety of pop-ups asking us to download or upgrade Flash Player for Mac.Afterwards inlarged by the care and diligence of A.M. Usually, there’s little explanation involved, which leaves you thinking, “Do I really need to install Adobe Flash Player on Mac?”Īdobe Flash is a proprietary software that started in the late ‘90s as a way to include advanced interactivity, gaming functionality, and video capability into your browser. By the early 2000s, Flash was supported by every major browser and seemingly ran the internet. That is until Steve Jobs himself declared a war on it. In a press release published by Apple in 2010, Steve Jobs laid out his reasons for not integrating Adobe Flash in the Safari browser by default. His main criticisms of the platform were its closed proprietary nature, slow updates, weak security, and increasing availability of open standards that were arguably better equipped to handle browser interactivity.įor a long time, Adobe Flash security issues were the primary reason most developers discouraged people from installing the application. As you may have noticed, oftentimes Adobe Flash Player download for Mac pop-ups haunt you on the least trustworthy websites. It’s highly likely that those were hackers using Adobe Flash installers to find a way into your system.įortunately, in the last 10 years, the popularity of Adobe Flash has decreased significantly. By now, 95% of all websites have switched to the open HTML5 standard. This even includes all the major video companies, such as Vimeo, Netflix, Facebook, and YouTube. In fact, the popularity of the Flash technology has declined so much now that Adobe decided to end its Flash support in 2020. So is Adobe Flash Player safe? Generally, yes, given that you download Flash Player for Mac from Adobe’s official website.
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